Why Do The Nations…?

The title, familiar from Handel’s Messiah, continues of course. Why do all the nations rage so furiously together? And that is the point. Stephen Powell’s tour du monde is a gesture of defiance against international conflict, a celebration of the riches of art song, wherever one calls home…

Vladigerov – Impressions

Although Pancho Vladigerov (1899-1978) is a composer whose music has not sustained a big international reputation, in his native Bulgaria he is highly regarded. Apart from other achievements, in his twenties he was one of the founders of the Varna Summer Music Festival, one of Europe’s oldest and still most distinguished annual events…

Debussy – Preludes, Book 2

The very difficulties that made Debussy’s second book of Preludes seem confusing in 1913 are those that make them so appreciated today. They are clearly 20th century and their disjointed, episodic character, moving in fits and starts between fragmented ideas, looks forward to a sound world in the 1920s that Debussy never lived to see…

Schumann – Opus 56 & 60

Writing for organ was not really Schumann’s thing – nor was delving into the neo-baroque world of Bach, at least not to the same extent as his contemporary Mendelssohn, so it is interesting that he wrote his only two substantial pieces in the genre in 1845; the same year that Mendelssohn was writing his organ sonatas. No doubt a true scholar will tell me if that was only coincidence…

Mozart – Wind Concertos

As a former Principal Flute himself (albeit not with the London Symphony but just about every other London band), Jaime Martin is an undeniably sensitive conductor for the concertos, attentive to the orchestral detail while giving his soloists the space they need to develop their interpretations without rushing or overwhelming them…

Bernstein – Candide

Not only is this a wonderful performance, superbly captured by Andrew Cornall’s recording, it is timely in the best tradition of political satire…