by admin | Feb 5, 2020 | Andermatt, IFR, Switzerland
Sometimes, luckily, fine musicians rise to an occasion despite a small audience, an eccentric location and a useless conductor. Such was the case when the very fine Russian violinist, Nikita Boriso-Glebsky performed Beethoven’s concerto in the basement hall at Andermatt…
by admin | Feb 3, 2020 | Andermatt, IFR, Switzerland
Listening to Barenboim live this late in his career (he is 78) is an exceptionally rewarding but complicated experience. In many ways he never was a piano virtuoso, splashing out the notes to impress and amaze with his skill. Instead his pianism has always been about exploration and education – pointing out aspects of the music he finds important, just as he does as a conductor…
by admin | Dec 1, 2019 | IFR, Karlskrona, Sweden
That Leonard Bernstein’s piano version of his friend, Aaron Copland’s picture of dance halls in the 1930s, El Salon Mexico should have appeared twice in the same day in Karlskrona was a coincidence waiting to happen. Julia Marin had heard Peter Jablonski play it in Bucharest a year ago and immediately decided she must add it to her repertoire. She has, very successfully, though playing it at lunchtime before her inspirer was due to tackle it in the evening was daring…
by admin | Nov 18, 2019 | IFR, Karlskrona, Sweden
A showcase is not a competition – all four young pianists playing in Karlskrona were very fine and Peter Jablonski would not have picked them for his first festival otherwise – but comparisons are inevitable. In this daytime concert each had half an hour to demonstrate their musicianship and two proved to be exceptional…
by admin | Nov 11, 2019 | IFR, Karlskrona, Sweden
The delightful thing about instituting a festival of your own is that you can programme and schedule as eccentrically as you like. Peter Jablonski is anyway an unconventional virtuoso. He likes experiments and is happy to take risks on repertoire and people…
by admin | Oct 7, 2019 | Bucharest, IFR, Romania
Is listening to four baroque operas in concert versions on successive nights, each starting at 10.30pm and finishing in the earliest hour of the next day, a pleasure or a form of musical masochism? Surprisingly, mostly a pleasure, even after a long day of (in the case of your correspondent) writing and listening to a lot of other performances in very different genres…