Heinrich Biber
Perhaps the last thing one expects from this extraordinary disc is to find that it starts with the chimes of Big Ben played on the sheng, in a piece derived from one of Telemann’s a century before that bell tolled…
Perhaps the last thing one expects from this extraordinary disc is to find that it starts with the chimes of Big Ben played on the sheng, in a piece derived from one of Telemann’s a century before that bell tolled…
These days the idea of an artistic director who was also a composer presenting an opera by a contemporary the year after its first production would be thought of as a co-production…
Perhaps the last thing one expects from this extraordinary disc is to find that it starts with the chimes of Big Ben played on the sheng, in a piece derived from one of Telemann’s a century before that bell tolled…